Sagem SFR
Have you heard of the FnacBook, Telecom Italia eBook or the Thalia Oyo?  It is looking like they are all one and the same - a Sagem product called the Binder with a six-inch SiPix capacitive e-paper touchscreen. It also has the standard accelerometer, 2GB of internal flash, a microSD card slot and support for ePub and PDF, but there is one feature that sets it apart from the pack: a cellular modem that will give FnacBook buyers free 3G service a la the Amazon Kindle's Whispernet. French carrier SFR is subsidizing that little venture, so it's not part and parcel of buying into Sagem's device, but if you find yourself holding onto a different rebrand we suppose you'll still have 802.11 b/g WiFi for your Steig Larsson downloads. Fnac's already taking pre-orders at €199 (about $277); devices ship November 10th.
Original post by Sean Hollister and can be found here:
Kobo eReader Magazines
Global e-reading service Kobo has just announced that it is now offering subscriptions to digital magazine and newspaper consumers using the Kobo e-reader or the Kobo apps for iPhone or iPad.

Kobo is currently offering about two dozen newspapers and magazines from the U.S. and Canada. These include publications likeThe New York Times, The Wall Street Journal, The Nation and The Harvard Business Review.

Subscribers can get a 14-day free trial before committing to subscriptions, which are automatically delivered to the iPhone, iPad or Kobo e-reader.

Kobo’s news stand is similar in scope and pricing as those offerings from competitors Barnes & Noble and, which both offer wirelessly delivered newspaper and magazine subscriptions. Titles are typically priced identically across the various stores.

The difference is that for most publications, Kobo also allows users to access subscription content from its iPad and iPhone apps. Last week, Amazon announced it would be making subscription content accessible from its Kindle apps “in the coming weeks.”

While it’s great that more periodical offerings are coming to Kobo and its reader and apps, we can’t help noticing that similar content shops, which all operate in their own walled gardens, are popping up all over the place.

In an ideal world, I would be able to subscribe to a digital edition of The New York Times for $19.99 per month and be able to access it on my iPhone, iPad, Kindle and from a Kobo reader or app.

Do you have any digital magazine or newspaper subscriptions?

Post by Christina Warren and can be found here:

Yesterday we brought you an old blog post about what plans the publishers might have considering all the changes taking place. We all know that the battle for eReader dominance is only just beginning. We also know that at any time a new battle for eBook standards might break out. One might say that we all agree that there are interesting times ahead. Today we bring another old piece we published in June of this year. With developments like Vook (, the future of the book will be far more interesting. Enjoy
19th Century Electric Car
Take a long hard look at a book, any book. Pull a favorite off a shelf, dust off the top--maybe it's the Bible, the Koran, a novel by Jane Austen or Leo Tolstoy. Perhaps you're more into Dan Brown or Jacqueline Winspear mysteries, Doris Kearns Goodwin biographies, or you've dog-eared page after page in Skinny Bitch. You may even gravitate toward business books like Viral Loop, my latest. Now say your goodbyes, because there will soon be a day that you may view such analog contrivances as museum pieces, bought and sold on eBay as collectibles, or tossed into landfills.
eReader and Books
Coming soon ... It's the end of the book as we know it, and you'll be just fine. But it won't be replaced by the e-book, which is, at best, a stopgap measure. Sure, a bevy of companies are releasing e-book readers-there's Amazon's Kindle, Barnes & Noble's Nook, and a half dozen other chunks of not-ready-for-primetime hardware. But technology marches on through predictable patterns of development, with the initial form of a new technology mirroring what came before, until innovation and consumer demand drive it far beyond initial incremental improvements. We are on the verge of re-imagining the book and transforming it something far beyond mere words.

Battle Field Tank
Take note: The first battlefield tanks looked like heavily armored tractors equipped with cannons; early automobiles were called "horseless carriages" for a reason; the first motorcycles were based on bicycles; the first satellite phones were as clunky as your household telephone. A decade ago, when newspapers began serving up stories over the Web, the content mirrored what was offered in the print edition. What the tank, car and newspaper have in common is they blossomed into something far beyond their initial prototypes. In the same way that an engineer wouldn't dream of starting with the raw materials for a carriage to design a rad new sports car today, newspapers won't use paper or ink anymore. Neither will books. But mere text on a screen, the stuff that e-books are made of, won't be enough.

The first movie cameras were used to film theater productions. It took early cinematic geniuses like Sergei Eisenstein, Fritz Lang, Charlie Chaplin and Abel Gance to untether the camera from what was and transform it into what it would become: a new art form. I believe that this dynamic will soon be replayed, except it will star the book in the role of the theater production, with authors acting more like directors and production companies than straight wordsmiths.

Like early filmmakers, some of us will seek new ways to express ourselves through multimedia. Instead of stagnant words on a page we will layer video throughout the text, add photos, hyperlink material, engage social networks of readers who will add their own videos, photos, and wikified information so that these multimedia books become living, breathing, works of art. They will exist on the Web and be ported over to any and all mobil devices that can handle multimedia, laptops, netbooks, and beyond. (Hey, Apple, are you listening?)
For the non-fiction author therein lie possibilities to create the proverbial last word on a subject, a one-stop shop for all the information surrounding a particular subject matter. Imagine a biography of Wiley Post, the one-eyed pilot from the 1930s who was the first to fly around the world. It would not only offer the entire text of a book but newsreel footage from his era, coverage of his most famous flights, radio interviews, schematics of his plane, interactive maps of his journeys, interviews with aviation historians and pilots of today, a virtual tour of his cockpit and description of every gauge and dial, short profiles of other flyers of his time, photos, hyperlinked endnotes and index, links to other resources on the subject.

Social media could be woven into the fabric of the experience--discussion threads and wikis where readers share information, photos, video, and add their own content to Post's story, which would tie them more closely to the book. There's also the potential for additional revenue streams: You could buy MP3s of popular songs from the 1930s, clothes that were the hot thing back then, model airplanes, other printed books, DVDs, journals, and memorabilia.

A visionary author could push the boundaries and re-imagine these books in wholly new ways. A novelist could create whole new realities, a pastiche of video and audio and words and images that could rain down on the user, offering metaphors for artistic expressions. Or they could warp into videogame-like worlds where readers become characters and through the expression of their own free will alter the story to fit. They could come with music soundtracks or be directed or produced by renowned documentarians. They could be collaborations or one-woman projects.

Before you add your comment to the comment thread at the end of this column, or hustle off an email to me to vehemently disagree with my vision, I want to emphasize I'm not predicting the end of immersive reading. I see a future in which immersive reading coexists with other literary, visual and auditory modes of expression. You get the full book--all the words on the page or screen--but you also get so much more. And ask yourself: Which would you rather have, the hardcover book of today or this rich, multimedia treatment of the same title? Suddenly mere words on a page may feel a bit lifeless. And remember that today's youth are tomorrow's book buyers, and they have been brought up on a steady diet of entertainment on demand, with text, photos, and video all available at the click of a mouse. I'm skeptical that simple text will cut it for them.

Now, I realize that many can't imagine life without a good book to curl up with, but these may be the same people who might have thought they'd never forgo the pop and hiss of vinyl records, jettison the typewriter for a laptop, spring for high speed Internet access, or buy a BlackBerry or iPhone. In an earlier age they might have even resisted adopting the Qwerty keyboard (what's wrong with ink and feathered quill anyway?) And sure, there will be some books around. After all, even today there exist vinyl records--just not a lot of them.

As the author of three books, I'm excited by the possibilities. Despite all the doom and gloom surrounding newspapers, magazines, and books, I think all writers should be optimistic. Because where there's chaos, there's opportunity.

Adam L. Penenberg is author of Viral Loop: From Facebook to Twitter, How Today's Smartest Businesses Grow Themselves. A journalism professor at the Arthur L. Carter Journalism Institute at New York University, Penenberg is a contributing writer to Fast Company
And besides, it's inevitable.
Amazon's obviously proud of its Kindle e-reader, but this morning its execs may have something to worry about: Barnes & Noble may be about to stamp on the Kindle's future hopes... with a slick color e-reader from Plastic Logic.
Books, Magazines, eReaders
Yes, the phrase "Kindle killer" is a bit clichéd, and it's been applied several times to different devices--we used it in July to reference Plastic Logic's hotly-tipped grayscale e-reader device, after PL brokered a deal with AT&T to use the network in the U.S. and partnered with Barnes & Noble for content. This set up the device to be a real competitor to Amazon's Kindle. It has the right technology, and its design outclasses the rather '90s feel of the Kindles. But this morning Barnes & Noble has revealed that there's actually a color version of the device on the way... and that would outclass Amazon's offering in a single stroke.

Speaking at CTIA a B&N spokesman, Daniel Joresson, spilled the beans--a color Plastic Logic device is due in Spring 2010. It's possibly going to follow a grayscale version of the device, which is strongly rumored to arrive before the end of the year, and it tallies with text on Plastic Logic's own Web site which notes a paperback-sized color display is "around the corner." Check out the video of the news from blogger JBruin:

Spring next year is an astonishingly soon date, and its particularly aggressive given that Amazon's own Jeff Bezos has noted a color version of the Kindle is "multiple years" in the future because Amazon thinks that existing color technology on offer from its screen supplier E-Ink isn't up to quality. The other thing to note is Joresson's mention of the "Barnes & Noble e-reader application." That tallies with all sorts of other rumors online today that the e-reader will be running Android, and the e-reader app will be available on other platforms like the iPhone.
In its simplest terms, Barnes & Noble and Plastic Logic are very much taking the fight to Amazon... and with concerns that Amazon's fluffed the international launch of the Kindle, it looks like the newcomers really might have a chance.

Original blog post from Kit Eaton and can be found here: